I used to write about her. I would write
With eyes shut tight—shut tight that I might see
A world outside myself; a blessed night
When she might come unbidden unto me.
Now, I fear to close my bloodshot eyes.
I fear the dreams of her that I must bear;
The hope that festers there—the wretched lies
I once held dear. My night mind is her lair.
There, she’s still and silent by my side,
Her fingers interlacing with my own—
I touch her cheek and look into her eyes—
We needn’t speak; we live and breathe as one.
There, I’m wrapped in such serenity;
Blessed by a peace such as I’ve never known—
Yet doomed; accursed for all eternity,
For when I wake, I am again alone.
Artist: Chris Isaak
Note: The title is mine… Original is: “Early In The Morning”
Omar ibn Said (1770–1864) was a writer and Islamic scholar, born and educated in what is now Senegal, who was enslaved and transported to the United States. There, while enslaved for the remainder of his life, he wrote a series of works of history and theology, including a subsequently famous autobiography.
Omar ibn Said was born in present-day Senegal in Futa Tooro, a region along the Middle Senegal River in West Africa, to a wealthy family. He was an Islamic scholar and a Fula who spent 25 years of his life studying with prominent Muslim scholars, learning subjects ranging from arithmetic to theology in Africa. In 1807, he was captured during a military conflict, enslaved and taken across the Atlantic Ocean to the United States. He escaped from a cruel master in Charleston, South Carolina, and journeyed to Fayetteville, North Carolina. There he was recaptured and later sold toJames Owen. Said lived into his mid-nineties and was still a slave at the time of his death in 1864. He was buried in Bladen County, North Carolina. Omar ibn Said was also known as Uncle Moreau and Prince Omeroh.
Although Omar converted to Christianity on December 3, 1820, many modern scholars believe he continued to be a practicing Muslim, based on dedications to Muhammad written in his Bible, and a card dated 1857 on which he wrote Surat An-Nasr, a short sura which refers to the conversion of non-Muslims to Islam ‘in multitudes.’ The back of this card contains another person’s handwriting in English misidentifying the sura as the Lord’s Prayer and attesting to Omar’s status as a good Christian.
Additionally, while others writing on Omar’s behalf identified him as a Christian, his own autobiography and other writings offer more of an ambiguous position. In the autobiography, he still offers praise to Muhammad when describing his life in his own country; his references to “Jesus the Messiah” in fact parallel Quranic descriptions of Jesus (who is called المسيح ‘the Messiah’ a total of 11 times in the Quran), and descriptions of Jesus as ‘our lord/master’ (سيدنا) employ the typical Islamic honorific for prophets and is not to be confused with Lord (ربّ); and description of Jesus as ‘bringing grace and truth’ (a reference to John 1:14) is equally appropriate to the conception of Jesus in Islam. Given Omar’s circumstances of enslavement “among the Christians” and the possibilities of lobbying for his freedom that only came with confessing Christianity, his conversion can be argued to have been made under duress. In 1991, a masjid in Fayetteville, North Carolina renamed itself Masjid Omar Ibn Said in his honor.
Omar ibn Said is widely known for fourteen manuscripts that he wrote in Arabic. Out of all of his Arabic manuscripts, he is best known for hisautobiographical essay written in 1831. It describes some of the events of his life and includes reflections on his steadfast adherence to Islam and his openness towards other ‘God fearing’ people. On the surface the document may appear to be tolerant towards slavery, however Said begins it with Surat Al-Mulk, a chapter from the Qur’an, which states that only God has sovereignty over human beings.
Most of Said’s other work consisted of Islamic manuscripts in Arabic, including a handwritten copy of some short chapters (surat) from the Qur’an that are now part of the North Carolina Collection in the Wilson Library at University of North Carolina at Chapel Hill. His Bible, a translation into Arabic published by a missionary society, which has notations in Arabic by Omar, is part of the rare books collection at Davidson College. Transcribing from memory, ibn Said made some mistakes in his work, notably at the start of Surat An-Nasr. Said was also the author of a letter dated 1819 and addressed to James Owen’s brother, Major John Owen, written in Arabic and containing numerous Quranic references (including from the above-mentioned Surat Al-Mulk), which also includes several geometric symbols and shapes which point to its possible esoteric intentions. This letter, currently housed in Andover Theological Seminary, is reprinted in Allen Austin’s African Muslims in Antebellum America: A Sourcebook.
Further coverage of Omar’s writings within the context of Slave Narratives and Muslim Slave Narratives can be found in Five Classic Muslim Slave Narratives by Muhammed Al-Ahari. The presentation of Africa, Islam and slavery in the American slave Narratives of Muslim slaves in the Americas is a topic that is often overlooked in discussing the genre of slave narratives and the birth of African American Literature. In fact the first biography was that of a former Maryland slave, Job Ben Solomon, published in 1730 in Britain. By reexamining these often overlooked narratives we can get insight into African Islam, the turmoil of integration into a foreign culture, life in Africa, and life as a slave in the Americas. The primary sources include: the narrative of Job ben Solomon, the two autobiographical pieces of Muhammad Said of Bornu, the Arabic autobiography of ‘Umar ibn Said, the Jamaican narrative of Abu Bakr Said, a discussion of coverage on Bilali Muhammad’s excerpts from the Risalah of Abi Zaid, Theodore Dwight’s articles on the teaching methods of the Serachule teacher slave Lamen Kebe, and a letter describing Salih Bilali.
For man to be convinced he is the at centre of the universe, is a profoundly shallow view of the part we all play in the grand scheme of things. The living and breathing universe is as much part of us as we are of it.
Sat against the backdrop of the constellation of Orion (left), the Pleiades star cluster (centre) and the Andromeda galaxy (right), I triggered the camera to capture myself pondering the impact of human activity on the landscape that we are so very fond of.
The light pollution and passing ships on the horizon that, together with less than ideal weather conditions, make it very difficult to capture the night sky like this.
Let’s keep the lights off at night, so that we together can enjoy the night sky again.
Please share this image if you like it! This helps me out a lot. Thanks!
Location: Den Helder, Netherlands